Thursday, September 24, 2009

Woohoo! Publishing is fun fun fun! Really.

Hey, you people. Sorry I haven't posted in, like, more than a month. I've been crazy busy starting junior year and all … Gah. Stupid homework. *Cries*

Well, anyway. I promised to keep y'all updated about the whole "publishing" thing I'm trying to do. Soooo let's talk about that. :)

Okay, so, good news. :D After my query letter was rejected by – oh, I don't know – sixteen literary agents or so, I finally got an e-mail response from Lindsay Ribar – assistant to literary agent Matt Bialer – asking to see my full manuscript.

O_O !!!! OMG! Well first of all, I totally freaked out and started screaming. And my mom got all scared because she thought there was a psycho kidnapper in our house or something. But yeah, that's not really relevant.

So, this was approximately a month ago. Since then I've been frantically editing the last few chapters of my book. I finished at last, about a week ago. And the day afterward, I submitted my manuscript. *Whew* I haven't gotten any response yet ... not even a "Thanks for submitting your manuscript!" And I'm kind of flipping out because I don't know if that's a bad sign or whether I'm being paranoid. Oh, well. When I hear back I'll let you guys know. ;)

Now, I'm thinking that some of you are probably reading this and saying, "Uhhh yeah, what is a query letter? What is a literary agent? What is a manuscript?"

So this would be a great opportunity for me to tell you all about publishing, wouldn't it? :] Now, I'm not an expert; I've never been published. But I've learned a lot about publishing in the past few months, so I'll share what I know and any advice I have.

Here I go. *Ah hemmm*

Let's start with the three simple things you should do before you even consider getting published. I know a lot of this will seem like "No, duh". But while these things may seem obvious, they are important!

1. Your book should be finished. Yeah, anyone can get a good idea for a book, or a good first half of a book. What you need, to begin with, is a full manuscript. If you have a complete draft, literary agents will be more interested – because they'll know that you actually have the motivation to write books, not just think about writing them.

2. Your book has to be edited. I know, I know. You're probably rolling your eyes and saying, "Well DUH!" But here's the thing: I see a lot of young writers trying to get published before they're really ready for it. You can't just write one draft and expect that it's good enough to be considered for publication. I know that the first time you finish something, you're really proud of it and it may seem flawless. But if you give it a break and come back to it, you'll see that there are a lot of mistakes and plot holes that you missed before.

No worries – just take a deep breath and EDIT, EDIT, EDIT. We love editing! YAY! ... Okay, actually editing is a pain in the butt. But we need it. And no, editing it once isn't enough. I'm talking three to five drafts – and don't just fix all the typos and call it a day. I mean, you've got to rip it apart. Write new scenes, take pointless/boring/stupid scenes out. Develop your characters and plot as much as possible. Be honest with yourself; you want your book to be GOOD, not just "good enough". If editing doesn't make you so frustrated that you cry, you're not editing hard enough. Seriously.

3. You need feedback. Editing your book by yourself isn't enough. You need someone else's opinion – preferably more than one person. The more feedback, the better. And no, it doesn't necessarily have to be a professional editor (of course, if you can get one, that would be great). I mean, hey – I edited my book with my mom. But whoever edits your book with you, it should be someone you trust, and someone who will be totally and completely honest. It needs to be someone who will do more than fix your typos. He/she should tell you if there are plot holes, clich├ęs, etc. He/she should be scribbling notes all over your manuscript like crazy, holding nothing back.

And when you receive feedback, don't take it personally. Yes, some of it will be hard to deal with – if, say, someone points out some huge gaping evil plot hole that you never noticed before. But if you made a mistake, it's not because you're stupid (well, maybe you are, but that's probably not the reason). I've written five books and I still think writing books is hard. In fact, the more I write, the harder it seems.

But I've learned that feedback is essential. Take that feedback and use it! Other people usually see the problems you never thought about. Although it's really hard to fill in those holes sometimes, it pays off in the end. You just have to keep whacking away at it.

Oh, and if anybody here ever needs some honest feedback, I'm willing to give it. But I warn you – I'm a pretty hardcore editor. I get it from my mom. :]

So, once your book is finished and edited and all that jazz ... IT'S PUBLISHING TIME!!! BOOYAAHH!!! But just FYI – as you're trying to get published, you'll probably find yourself doing some more editing, reshaping your idea, etc. And literary agents/publishers may request rewrites/revisions. So be warned: your book probably isn't done yet.

Anyway. As for publishing … It's not a simple process. You would think it would be easy. I mean, a couple years ago, I thought it was like 1. Write a book, 2. It gets published miraculously, by some unknown force.

But, no. You thought writing your book was hard? HA! Publishing is just as, if not more, difficult. It's a long, annoying, and frustrating process. But the key is to keep trying. Face it: you're going to go through tons of rejection, and you are not alone. At all. Thousands of other aspiring authors share your pain and suffering. Think of any amazing, award-winning author, and I promise you – he/she went through rejection too, probably dozens of times. It's the writers that keep trying and don't give up that get published. When you get rejected, don't take it personally. Literary agents have to read tons of queries a day, and most of those are badly-written or formatted wrong or for the wrong genre … You see what I'm saying: it's a hard job. And you might have been rejected because the agent happened to be in a crappy mood that day, not necessarily that your query was bad. You never know. Besides, it's subjective; the book you've written isn't for everyone. So it will appeal more to one agent than another (or twenty others).

So, where do you start? Well, it helps to know the basics of what you're getting yourself into. Like I said, it's complicated – plus, I'm sixteen, and not very experienced, so forgive me for not knowing every single detail. But I'll tell you what I know. :)

Ok. So here's how it works (ideally, anyway): You submit query letters to literary agents. You get rejected by a bunch of 'em. One finally agrees to represent your book. He/she writes to publishing companies, asking them to publish the book. If a publishing company likes the book, they publish it. YAY! I know, sounds easy. But it takes a loooong time.

Anyhoooo. Here's the steps you should take, once you're ready to publish:


Literary agents are the fabulous people who represent books. No, you don't necessarily need one, but most authors highly recommend getting an agent. Some small publishing companies will consider unagented manuscripts, but the big famous publishing companies won't – and if they do, you have a very small chance of getting published.

So, before you do anything, do your research. I suggest using or

First of all, find agents that represents the genre of your book. If your book is a fantasy and the agent only represents nonfiction ... guess what? He/she isn't going to consider representing you! The agent will specify what he/she represents on his/her website. And on sites like agentquery, you can narrow down the list of agents to those who represent your genre. Compile a list of lots and lots of agents!

Secondly, do a background check. Google-stalk the agents you're considering. If the agent asks for any sort of advance payment, it's a SCAM!!! RUN AWAY!!! Preditors & Editors is a good site to do background checks on agents (

And finally, once you have a good list ... IT'S QUERY TIME!!!!


Query letters! Yaaay! We love query letters!

Yaaay ... Wait, Brigid. What's a query letter?

Well, a query letter is basically a letter saying, "Hiya literary agent! I wrote this book and I think you'll like it! It's awesome so you should represent it!" But it's a lot more formal than that.

There is no "right" way to write a query, exactly. But typically, there are four important parts, sometimes five.

1) The Hook

The hook is a single sentence that summarizes what your book is about. It should be relevant, concise, and it should catch the agent's attention.

According to, the best way to come up with a hook is to use what they call The "When" Formula, which goes something like this: "When [event happens], [main character's name] – [short description of character (meaning important stuff like personality and age, not the character's eye color)] – must [face a conflict and resolve it in some awesome way]."

Huh? I know, that looks confusing. Lemme give you an example. Here's the hook I used for my query for Reborn:

"When an evil spirit endangers everything she’s ever known, immortal seventeen-year-old Kami must make a decision between her feelings and the safety of her universe."

There! That's not so bad, is it? Now, come up with your own. :)

2) Introduction:

Say why you're querying the specific agent – show off that you've done some research. The agent wants to know that you queried him/her for a particular reason, not that you're sending out queries randomly. It can be something as simple as "I understand that you represent [genre], which is why I think [my book, from that genre] will interest you." But if, say, they've represented a book similar to your book, you might want to mention that too.

Also, make sure that you mention the genre and basic setting of your book, and the approximate word/page count.

3) The plot summary:

Next, you're going to write a short synopsis of your book. That doesn't mean that you have to write every single last thing that happens. Keep it very, very concise; I would say less than 200 words – you want your entire query letter to fit on a single page. Think of it as the blurb that you read on the inside cover of a book. It should tell the agent a) what the book is basically about, b) who the important characters are, and c) what the main conflict is. This isn't the place to give everything away.

Always write the summary in the present tense!

And never ever ever ever ...

- Put extraneous details in the summary. Like, "And then Bob walks down the street. The sky is blue. He eats a ham sandwich for lunch." Snooorrre. Focus on writing about the conflict.

- Put empty questions in the summary. Ex: "Will Bob be able to defeat the evil, talking doughnuts from Mars???" Umm, I don't know. Will he? I don't think I care ...

I would care if you wrote it more like, "Bob will have to face his deepest fears in order to defeat the evil, talking doughnuts from Mars!" I know it's a bad example, but you see what I'm saying?

4) Comparison:

This part is ... optional, I guess you could say. Some people say you should include it, and some say you shouldn't. I would say don't include it unless the agent says on his/her website that he/she wants you to include a comparison with another book.

Anyway, here is where you would compare your book to a couple other other well-known books. The point of this is to make your book sound relevant – but you don't want to sound unoriginal either. Why would an agent want to represent a book that's been written/published before? If you must include the comparison, I would advise mentioning how your book also differs from the "similar book". Or at least say that your book has some elements similar to one book, and some elements similar to another book.

5) Conclusion:

Tie it up with a short paragraph or two.

If you have any publishing experience, mention that. And no, the agent won't care if you got a poem published in your school newspaper – I mean, like, if you've had something published in a literary magazine or something. If you've never been published, then don't say anything. If you say that you've never been published, then it seems like you're putting yourself down, and if you don't mention being published, the agent will assume you're unpublished. Instead, you might want to say what makes your point of view unique, or relevant to the topic of your book.

If the agent wants a sample chapter, synopsis, or both, then mention that you've included them.

If it's an email query, DO NOT include sample material/synopses as attachments. Never ever ever! Ever! Unless the agent specifically asks for them to be sent as attachments. Include all sample material and the synopsis in the body of the email.

If you have a full manuscript – which you should – then mention that the full manuscript is available. Then end the letter with something along the lines of "Thank you for your time and consideration. I look forward to hearing from you."

If you're still confused, I recommend reading this:

And, as an example, here's the query I wrote for Reborn ... The one that got Lindsay Ribar to ask for my manuscript, that is. Woot woot. :]

Dear Matt Bialer:

When an evil spirit endangers everything she’s ever known, immortal seventeen-year-old Kami must make a decision between her feelings and the safety of her universe.

I understand that you represent fantasy and that you are seeking unique new voices, which is why my novel, Reborn, may interest you. It is a young adult urban fantasy and the first book in a proposed trilogy, consisting of approximately 130,000 words (236 pages). The story takes place in an imaginary dimension of our own, modern world.

Kami is one of the Protectors: a race of immortal teenagers whose purpose is to protect humankind from a rival group of immortals, the Destroyers. The Protectors and the Destroyers are trapped in an ongoing battle and an endless cycle of death and rebirth. Kami's five hundred years as a Protector have made her a fierce and confident fighter, but when she meets mysterious and unpredictable Jack, she starts to question her purpose in life. Eighteen-year-old Jack is a “Reborn”, or the newest reincarnation of an immortal spirit. Kami forms an immediate friendship with Jack when he joins the Protectors, but as her feelings for him grow stronger, so do his dark and terrifying powers. When Jack and Kami learn the disturbing story that connects their past lives, they find out that a demonic spirit, Ravi, is raging inside of Jack. Seeking revenge, Ravi threatens to take over Jack’s mind and, through him, conquer the immortal world. Although Jack struggles against Ravi, Kami knows that he is slowly succumbing to his evil self. If Kami wants to save herself and the other immortals, she will have to kill Jack. The only problem: she’s falling in love with him.

As a teenager myself, I can relate to young readers through my writing. Reborn explores themes about the futility of violence, but it is also a tale of dangerous romance – like a cross between S.E. Hinton’s The Outsiders and Stephenie Meyer’s Twilight.

I have included the first five pages of Reborn. A full manuscript is available at your request. Thank you for your time and consideration.

Brigid Gorry-Hines


Now, not all agents will ask for a synopsis. In fact, a lot of them don't. If they do, it means they want a longer, more detailed summary of your book – besides the one included in the body of the query letter.

The synopsis shouldn't be longer than three typed pages or so. It should summarize everything: beginning, middle, end. YES, that means you should "give away" the ending. And you should summarize all the most important events in the story. Note the "important" – once again, no extraneous details!

At the top of the synopsis, use this heading:

Synopsis of [Title]
Genre: [genre]
Word count: [number] words
By [your name]

Other than that, there's not really a format. I would post the one I wrote for Reborn … but, um, it's hideous. I don't like writing synopses; they're hard. Personally, I haven't queried many agents that asked for a synopsis. But it's good to have one in handy, just in case.


When you have a good query letter, start sending it out!

I like sending queries by email, because you tend to get a faster response (and you kill less trees!), but not all agents accept email queries; some prefer queries by snail-mail. The agent will specify whether he/she wants an email or snail-mail query on his/her website.

Like I said, you'll get rejected bunches of times. But keep going! Send that query to agent after agent. Unless an agent only accepts "exclusive" queries, I recommend querying multiple agents at once. But as you go along, make small changes in the query to appeal to the specific agents. And keep revising the letter – make it a little better every time you send it. ;)

Other than that ... That's pretty much all my advice on publishing. Wish me luck on my publishing endeavors. And if you have any more questions, feel free to ask. :)

Tuesday, July 21, 2009

Welcome to my Life :P


Gee, I've always wanted a blog! So, thanks for reading this (if anyone is reading this, heh heh). I've never blogged before, soooo this will be interesting!!!! :)

So, heeey, I'm Brigid. I'm 16, turning 17 in Oct. And here's some stuff to know about me:

  1. I. LOVE. TO. WRITE!!!!!! It is my life. It is my passion. If I'm not at my laptop, writing, I'm thinking about writing and planning my stories in my head. I'm totally obsessed with it. :]
  2. Building off of that ... So, I've written five books/novels, whatever you want to call them. Four of them need some serious editing. Aaaand one of them has undergone serious editing and now I'm trying to get published right now. So far I've gotten six rejections and I'm waiting for twelve responses! I will keep updating on that. ^_^
  3. I'm the oldest of six kids. :)
  4. I like smiley faces ... :] ! :) ! :D ! ^_^ !!!!!!
  5. I'M EVIL!!!! BWA HAHA!!!!!! >:D ... jk. maaaaaybe. :P
  6. I also love reading. Books are addicting. You know when you're reading a book in some public place and a random person comes up to you and screams "OMG! I LOVE THAT BOOK!" Yeah, I'm one of those random people. Which is ironic, because I hate when people do that when I'm reading in public ... O_o
  7. I run on caffeine. I LOVE COFFEE!!! Can't live without it. 8D heeheehee! (smiley face high on caffeine)
  8. I love chocolate almost as much as I love coffee!
  9. I'm on the internet way too much. I'm always on Google, Facebook, Goodreads, or I'm doing research on literary agents :P !!!
  10. I also love drawing. I mostly draw manga ... I kinda suck at it, but it's still fun!
  11. I've been tap dancing for twelve years. 'Tis fun! :D
Umm I guess that's all I have to say for now!!! Later! ^_^

- Brigid

Sooo how do I write a book, anyway??!!

Hi everyone! :]

Not that I have a ton of followers yet. In fact, I only have five right now and – ummm – one of them is me. O_o How I became a follower of myself, I have no idea. But it makes me look pretty pathetic.

Oh, well. Anyway … In order to make this blog useful, I thought I’d share some of my writing advice for all you young and/or aspiring writers out there. And I thought I’d start out by answering one of the most frequently asked questions that people ask me:


Well, there is no “right” way to write a book. Every writer will give you a different answer. However, I have never met a writer who said that writing a book is easy – because, well, it’s not.

I can tell you right now: Writing a book takes a lot of time, dedication, and determination. You have to be willing to put your heart and soul into your work, to hold back nothing, and to stick with your story NO MATTER WHAT. Otherwise, don’t bother to try to write a book. Anyone can write a few good first chapters, but it takes a real writer to finish an entire novel.

Now, I’m here to help you – not to call you a failure. If you’ve never written a book, I’m not saying that there’s no hope for you. It’s a matter of learning how to fill in gaps in your story, and – as corny as it sounds – believing in yourself.

So, there are many reasons why you might be having trouble finishing your book. I’m going to pinpoint five of the most common problems, and give my advice on how to get past them. :)


Okay, I’m going to tell you a little secret: Writer’s Block doesn’t exist.

*GASP!* Brigid, are you crazy???!!! Of course there’s such a thing as Writer’s Block!

I know, I know. This might be a hard idea to get used to … but it’s true. I used to believe in this so-called “Writer’s Block”, too. In fact, I only stopped believing in it pretty recently.

Writer’s Block is simply when you’re stuck on ideas, so you tell yourself that there’s no hope. You think there’s nothing left to write. So … you should give up, right?

WRONG! Yes, there may be points when you get stuck, but that doesn’t mean that you should stop writing. Writer’s Block is an excuse. It’s your way of blaming something for your lack of motivation.

Writing is not a magic ability that comes and goes. If you’re a writer: YOU CAN WRITE. Nothing can take your talent away. If you blame Writer’s Block for your problems, you’re setting yourself up for failure.

The truth is, if you’re stuck, it’s your fault – as harsh as it sounds. But you have to accept that YOU are the one who got yourself stuck. Then you’ll realize that it’s your responsibility to fix your own problems.

Now you ask, “But how do I do that?”

Well, that’s why I’m here. I hope to answer that question with the following advice. :)

But for starters, stop believing in Writer’s Block right now! The first step is telling yourself that you have the power to get through the tricky parts of your book. You can do it!!!!


A lot of first-time writers make the mistake of being impatient. They just want to write a book for the sake of writing a book, not for the experience. So they jump right into the story without planning or outlining. If you do this, there is a greater possibility that you will get stuck.

I strongly advise making an outline – at least a partial one. I'm not saying that you have to make one, but without an outline, your story will probably lack good pace and structure.

Here’s the thing: Writing a book is not a race. It’s not about getting to the finish line. You can't just run, in a straight line, through the whole thing. Writing a good story is more like taking a long journey over a winding path: there are twists and turns, there are landmarks along the way, and yes, there are some parts that can be uneventful.

A lot of writers meet their downfall at those uneventful parts. You might have the most important plot points figured out, but you don't know what happens in between them. These "gaps" are definitely the hardest part of writing a book. I struggle with them too. But they're no excuse to stop writing! There's always something you can do to fill up those tricky spaces.

The best thing to do is to add some character development. Dialogues are always good. Get a few characters talking with each other, and see what happens. You might find out something about your characters that you didn't know before. Plus, it will help to develop interesting character relationships.

Or you can just let your main character think for a page or two. You can learn a lot about a character through what they think about situations and other characters.

DO NOT kill off characters just because you have no ideas. Personally, I believe that you should kill off characters sparingly and only when it is absolutely essential to the plot and to the message you are trying to convey. If you're killing off characters left and right for no particular reason, the deaths probably won't seem as powerful to the reader.

Outlines are a good idea, because they allow you to plot out your story in advance and to avoid plot holes/contradictions. It doesn't have to be too detailed, but I would suggest having a rough idea of the beginning, some parts of the middle, and the end. That way, while you're writing, you'll have an idea of where your story is headed. Like I said, writing a book is like taking a journey. And if you don't want to get lost, you should have a map, right? :)


Continuing with the "journey" metaphor – there are times in your story when you might wander off the path by accident. If you find yourself stuck, it could be because you took a wrong turn. Maybe you made something happen that eliminated a lot of possibilities. Or maybe you've lost track of something important like a) what the plot of the book is about or b) what your main characters' objectives are. All parts of the book should be connected somehow. If you started off writing about one thing, and now you're writing something entirely different, you probably did something wrong.

Well, here's what you have to do: go back. Rewrite or eliminate irrelevant parts. Make sure that your book has a focus: there should be a clear plot and your characters should have distinct objectives. Otherwise, you need to start rewriting. Or maybe your outline needs some revising. Make character outlines too, so that you know what each character really wants.


Sometimes you might get stuck because of a lack of self-confidence. This is one problem that I often struggle with. I've been there before. I'll be sitting in front of my laptop, staring at the words on the screen, and I'll have this panic attack. "OH. MY. GOD. This .... SUCKS." And then I'll fall into this state of mind where I am absolutely convinced that my writing is terrible and that my story isn't going to go anywhere and that I fail at life ... You get the idea. And I know a lot of authors have this self-confidence issue. They'll say things like, "Oh yeah, I write, but none of it is any good" or "Nooo! You can't read my writing! It's terrible!"

All right, so every writer has flaws. No author in the entire world could write a perfect book. It's impossible. So, don't let your flaws drag you down. What you have to do is accept them, and keep writing. Just get it all out; write it down, get it on paper. It might be full of grammar/spelling issues and gaping plot holes, but hey – that's what editing is for, my friend. :) Once you have a rough draft, you can go back and work on anything that needs fixing.

And I strongly recommend that you let someone else read your work; in fact, let lots of people read it. Other people will see mistakes that you may have missed. Ask your friends, family, people over the internet, whatever. Beg for feedback. It might be awkward, and some of it may be hard to hear. But if you really care about the quality of your book, that's a sacrifice you have to make. After all, if you plan on getting published, millions of strangers could be reading your book someday. People will judge your work; that's the way it is.

So keep writing, without thinking too hard about how "good" your book is. And don't hide your work, even if you're not exactly proud of it; if you want to improve, you have to be willing to take feedback.


This is another common one ... one that writers don't always admit to, but it is an issue. Sometimes you can't write, just because you're afraid of what your friends or family will think of you, if they ever happen to read your book.

Happens to me ALL the time. I'll be writing something really morbid, or some really awkward make-out scene, or some gag-worthy scene where characters are confessing their love for each other, or the characters will be swearing like sailors ... and all I'll be able to think is, "Oh. No. My friends will want to read this. My younger siblings will want to read this. My parents will want to read this. My grandparents will want to read this."

I wish I had some great solution to this problem, but really – there isn't one. The truth is, if you write a book, people in your life are going to want to read it. That's a good thing. It's because they care about you, and they're interested in your work. So your book has … adult moments, or just some *awkward turtle* parts. Oh, well. You gotta do what you gotta do in order to keep the story going. Maybe you'll shock your grandma. Maybe your friends will be weirded out. Maybe your mom will make fun of you for eternity after you accidentally tell her about that implied sex scene you wrote (errrm not that I speak from experience O_o). But in the end, YOU know what's best for your story. Don't let the fear of what others will think get in your way.

So, those are what I consider some of the most common problems when it comes to getting stuck. If you have any other problems, let me know. Leave comments! I'll be happy to help. ^_^